Friendship: A Resume

Objective

To be the amazing friend you brag about to your other friends to make them step up their game.

Professional Achievements

Flexibility

  • Despite not playing an instrument, managed to become part of the coveted band geek clique in high school.
  • Compatible with friends of all genders.

Dedication

  • Very rarely will dump a friend even when they really, really are huge assholes.
  • Have only ever bailed on a hang out because of pet death.
  • Still have one friend from grade school.
  • Excels at long-distance and internet friendships.

Modesty

  • Cute but not spectacular – you can be the hot friend!
  • Have only completed an undergraduate degree; smart enough to talk about anything you want to talk about but probably not as smart as you.
  • Imposter syndrome under regular relapse.

Skills

  • Ass-kissing
  • Video games
  • Book-learning
  • Internet Meme fuckery
  • Tweeting
  • Cat cuddling

Work History

Lonely Working Asshole Adulthood 2007-Present
Drama Nerd High School Though College 1996-2007
Weeaboo Grades Six Though College 1994-2003
Baby Goth Grade Eight 1995-1996

Education

 Small Group of Weirdos Primary School 1989 –

 1996

References

If I had friends to act as references, I wouldn’t need this resume, dingus.
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An Island Never Cries: The Enlightenment, Feminism and Loneliness

I’ve been mulling over this idea for a while now, ever since a coworker posted an article about being a “feminist killjoy” (guilty!) and my general sense of consternation and disappointment in feminist communities. In the past I’ve jokingly said I can focus on more than one thing wrong with sexism at once, but lately I’ve been feeling stretched out in too many directions, wondering where all the disconnects came from and what happened to genuine community.

There are many good reasons for a lack of solidarity and community within feminism.  Trans women are understandably leery of the movement since TERFs poisoned the well with their dangerous rhetoric.  Women of colour have often been excluded from, if not experienced downright hostility by, white feminism.  (See the #solidarityisforwhitewomen tweets that @karnythia got rolling late this summer.)  To many women, feminism has always been synonymous with white, middle class cis women.

I can’t remember a time where I didn’t personally identify as feminist.  It’s possible part of it stemmed from the fact that I was (and still am) a contrary asshole, and I was surrounded by sexism, so rebelling against that became important to me.  A lot of my fledgling feelings about women’s rights were crystallized through stuff like volunteering with Scarleteen in my young adult life.

But then in college, I remember picking up a feminist theology book, either edited or written by Mary Daly, and reading it in the tub one night after class.  Before the water had even stopped steaming, I had to put it down, confused.  Not only did it seem intellectually dishonest – reading aspects of modern feminism back into first century Palestine to the point of speculating the magi visiting baby Jesus might have actually been witches – but it was patently wrong in its examinations of gender and sexuality.  (Mary Daly was quite well known for her vicious transphobia, as I later learned.)  I didn’t like the idea of that being what people thought of when I said I was a feminist, and a theologian.  Was Jesus a feminist? No! Would he be a feminist, if he lived today? Probably (or something similar.)  For me, believing and studying the gospel made me feel that social justice is the only acceptable solution; not that social justice should be read backwards in order to rearrange the gospel to suit us.

I began to read more widely and found some really excellent stuff (Jess (Yee) Danforth’s Feminism for Real, for example, and Lauren Chief Elk, who’s currently getting well-deserved accolades for her letter to Eve Ensler). I also found a lot of feminist stuff that made me deeply uncomfortable – male feminist “allies” getting far more air time than the women who said it better before them; a trend towards making feminism fun, sexy and palatable; feminist narratives around choice that implied that… well, Lisa Simpson says it pretty good:

No, no, I was talking about “As a feminist, virtually anything a woman does is empowering.”

Now, I’m pretty sure that the line in the Simpsons is meant to be a rib at exactly that kind of thinking.  Lisa Simpson, while totally amazing, is also only eight years old and she’s a great avatar therefore for subtly jabbing at misguided ideals.  My biggest and most growing uncertainty about my role within feminism as a community lately has been centred mostly around issues of choice and individualism.

It’s important to remember that, historically speaking, concepts of individuality are relatively young.  The Enlightenment was only a few hundred years ago, after all.  It hasn’t been all bad; concepts of individual human rights isn’t something I’m ready to chuck out.  For certain issues – like reproductive choice – the individual is the only person that matters. That’s the kind of thing, in my mind, “your freedom to do whatever you want ends where my body begins” as an ideal was meant for.

Now, forgive me, because this part is ticklish.  But I’m finding myself more and more concerned with certain aspects of feminism where the individual choice is held paramount and therefore, because the individual is a feminist, the choices are therefore also feminist.

Last year, I had the honour of attending the Faculty of Celebrity Studies hosted by Elaine Lui. You can read the whole experience on my post about it, but a lot of the discourse from the audience was about how they had chosen to become stay at home moms, and how mean feminists were for criticizing their choices, and blah blah blah until I got all Mount St Helen and caused a scene.

Look, it should be obvious: can you be a stay at home mom, and a feminist? YES.  Is being a stay at home mom a feminist choice? Well, for one – how do you define what a feminist choice is?  But more importantly, is it even a choice, when it’s typically more practical for a two-income family that a woman stay at home because she earns less? Or that even today, we’re still primarily bombarded with messages of motherhood being the ultimate fulfilment of being a woman?  (Having done some Christmas shopping for my niece recently, with massive difficulties in even finding gifts that weren’t kitchen or baby-doll related, I’d argue it’s even worse than when I was young!)

Or take a recent post at popular blog Shakesville, there’s a post against this article on high heels (which is admittedly, terrible in equating high heels to self-injury, and issues of consent, which redlightpolitics addresses in her storify on white feminists and consent.) This comes on the, pardon the expression, heels of the selfie conflict sparked by Jezebel, which created interesting dialogue about combating male gaze and controlling the photographic narrative.

But the argument that heels are an important feminist decision because they allow women to feel sexy and/or professional, particularly fat women, doesn’t sit right with me either.  Can feminists wear heels? Yeah, for sure.  Is it a way of spitting in the eye of the patriarchy? I don’t know.  I don’t think so.

There shouldn’t be an argument that long-term use of heels, particularly high ones, or heels with narrow toes, do damage to your feet.  There’s no question I’ve seen some seriously hyperbolic rhetoric out there comparing high heels to … idk, burkas and FGM.  That’s bullshit.  Spinning “to wear heels or not to wear heels” as an issue of feminist choice feels bad to me, on a few levels.  One, it feels like we’re gilding the cage.  Heels are necessary, it can be argued, to be seen as professional in the office. Yes. Similar to office dress code rules about cleavage, shaved legs, etc., if you don’t want to be the centre of a shitstorm, you suck it up and follow the code. I don’t feel comfortable spinning that damned if you do, damned if you don’t choice as a feminist act.  We should openly acknowledge it as one of the series of concessions we make in our day to day lives in order to not be in combat 24/7.

I also want to acknowledge that for trans woman, this issue is wrapped up in much more troubling and dangerous narratives about femininity, passing and safety, and I want to be clear that I would never question any woman’s choice about clothing.  Criticizing the practice, and the social history surrounding it is necessary to breaking down the restrictions, though.

There’s been a backlash lately against ironic racism, or ironic sexism, particularly in the comedy world.  If you’re a member of the privileged class, making jokes that sound exactly like racism or sexism, and copping out of it by saying “But I’m not ACTUALLY a racist” is rightly mocked or called out.  Whatever someone’s personal intent is, the audience at large can’t judge it’s truthfulness; only the surface.  Similarly, when a woman wears heels or chooses to stay at home with her kids, there’s no way of knowing at first whether this is a conspicuous choice, or just going with the flow because that’s how life is, or a combination of both.

This does not look like aspic. Some 50s housewife!

This does not look like aspic. Some 50s housewife!

And so on, with sex positivity (sorry, I don’t find vagina-centred feminism very positive, or inclusive, Vagina Monologues)(Eve Ensler’s on everyone’s shit list today!), shaving/waxing/plucking, etc. etc.

Remember the Enlightenment, and me cursing it’s name? (Oh, I haven’t yet? Fuck you, Enlightenment. Eat a butt John Stuart Mill) Here’s where it’s getting me into deep shit. Criticizing the practices has become criticizing the individuals who have made that choice.  Because you’re implying they’re too stupid to not know the societal constraints (They’re not, and I’m not).  Or that you think someone can’t genuinely derive enjoyment from painting their nails or cleaning their house (patently untrue, though I will bemusedly welcome house-cleaning lovers to enjoy my poor cluttered basement if they’re bored).

It’s almost as if the meaning of “the personal is political” has been turned on its head to indicate that personal choices – no matter what they might be – are important political statements.  This is only true if the important political people are recognizing that those personal choices are subversive (and again, in some cases, like abortion, they are!). But when your subversive choices look identical to patriarchal buy-in, then what? The argument then becomes “Well, why aren’t you fighting the patriarchy instead of other feminists?”

The move towards fun sexy feminism has alarmed me in a number of ways. One, we end up with a lot of gross male allies who realize that saying they’re feminist gets them laid. For another, we end up with vitally important concepts like consent being boiled down to “because it gets you laid (and also not charged with rape)”.  Tied into that last link, we also get a bunch of corporate buy-in from Pantene and Dove marketing their beauty care products to women with mildly feminist messages or ideas, which feels alarmingly like point one, only with companies.  Capitalism is anti-thesis to feminism. Shouldn’t we be skeptical?

The problem with skepticism is its lonely.  The moment where you realize you’re a feminist killjoy and you lose all your friends is lonely.  The moment where you realize you’re a feminism killjoy and you don’t even really fit into with a lot of feminist spaces is lonely.  How do we build bridges?  How do people participate in feminism when there are many avenues in which its gone that they don’t agree with, when critiques have become personal jabs rather than a plea to think critically? Is this navel-gazing tome of a blog entry just more of the same? Where do you fit?

Happy Thanksgiving, Have some Thoughts on Working Through Gender & Friendship Through Writing

If you want an idea of how fast my brain moves from IDEA to REALITY, I got the inspiration for this post from this one by the lovely Miss Lora, which was written two weeks ago, and I’m only just now sitting down to write my own version.  First of all, read hers though. It’s very good. I’ll wait.

I wholly understand where she’s coming from. I daresay a ton of us women do.  I was helping facilitate a “Find your Feminism” workshop last year, and was struggling to lead our groups discussion after we ran down the assigned questions.  Finally, I asked them all, “How many of you have said before, ‘I prefer to be friends with guys, over girls, because it’s less drama’?  All of them – including me – put their hands up.  Then I asked them, “How many of you had those drama-free friendships end because the guy wanted to be more than friends, or put the moves on you, and made you feel really uncomfortable?”  All of us put our hands up again, and we moved the discussion forward from there.

What’s wild is we all had the exact same experiences and, until someone wiser than us pointed it out, never made the connection between the two beliefs.  What’s even wilder is that even after leading that workshop last year, and asking those two questions, and drawing a link between them, I didn’t draw the connection between those experiences and how Grace’s main relationships play out in Paucity (and later, in the unnamed sequel).

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Paucity opens with Grace finding the dead body of one of her neighbourhood friends in the mines they both work in.  She’s upset, but it seems mostly like she’s mad that they survived the system for so long, and having Rose die so close to retirement freedom is just an extra kick to the gut. Grace’s acknowledged best friend is David, though.  He’s the one who tries to follow the guards to Rose’s burial spot so they can leave flowers there, he’s the one who finds out they plan to execute Grace. He’s the one who’s with her when she finds the thin spot in the worlds that brings them both to Uberrime. He puts up with her obsession with old movies, and her close relationship with her parents, and her sarcasm.

But –

He’s also the first one to put down any idea she has in this new world they find themselves in.  He’s the one who gets mad when she has conversations with their captors.  He’s the one who takes out his frustrations on Grace, rather than on the people he’s really mad at.  He’s the one that makes jokes or overtures that are just slightly too sexual.  And he’s the one that runs away when Grace chooses her own path over being with him.

In a post titled, “Describe your Novel in One Sentence”, I ended up writing, “After surviving a parallel universe, a deadly magical disease, enslavement and a bloody civil war, Grace realises her best friend, David, is kind of a dick.”

And that’s really what it’s about, in the end.  Lora’s post made me realize that the driving force/internal conflict for Grace isn’t her desire to overthrow the work camps she slaved in, and Rose died in; it’s not to free herself from the enslavement she finds herself in; it’s not even really to help overthrow the government of Uberrime – it’s her attempt to outrun and redeem herself from the fact that her real best friend died alone, and it took all these above things for her to realize what she had in her friendship with Rose that she lost when Rose died.

I’m lucky in a lot of ways, most especially because I don’t live in a laissez-faire dystopian environmental wasteland, or have to cope with a destructive new magical talent.  But I’m also lucky that all the women I’ve been friends with growing up are still around. I can still message them on Facebook and say, “Hey, being friends with you has been more valuable than I can say, so thanks.” I might be driven by my failure to acknowledge how important female friendships have been to me to say, write this blog post, or this novel, but it’s not a permanent, unfixable failure goading me.

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Oh, and it’s a nice chance to reverse the whole “the best friend was the perfect guy ALL ALONG” storyline. (And yes, I know that both Dawson’s Creek & Hunger Games only avoid this by having some other guy be the perfect guy.)  Having David slowly turn into a weird goose-man is only second in satisfying narrative revenge to Grace friendzoning him over and over again, until

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Of course, I’m the first one to say that “authorial intent means very little in the end product” and that’s true. But a lot of Paucity was created as a result of my frustrations with certain stand-bys in genre storytelling – the awkward quest love triangle, the medieval stasis magical country, the subjugation of women as a requirement for “authentic” fantasy – that it was easy to forget that beneath all that are my real-life experiences and revelations, and not just my literary ones.

PS: I’m starting on Paucity’s sequel this Nano, so I’m willing to take suggestions for a title. The currently operating one is Plenty because I’m an uncreative dork.